Harland Miller is an artist and writer who was born in Yorkshire and studied at the Chelsea School of Art graduating in 1988. After living and exhibiting his work in New York, Berlin and New Orleans during the 1980s and 1990s, he settled in London. Here he achieved critical acclaim with his debut novel, Slow Down Arthur, Stick to Thirty published in 2000. It is a story of a child who travels around northern England with a David Bowie impersonator. That year he also published a novella called At First I Was Afraid, I Was Petrified which is a study of obsessive compulsive disorder. It was based on a hoard of hundreds of polaroids found by Miller that had been taken by a relative of his. All of the images were of oven knobs turned to ‘off’.
Miller has declared his love of books themselves, not just as the means to carry a story but as objects in their own right. He is a particular fan of Edgar Allen Poe having curated events to popularise the work of the 19th century writer. In 2001 he began a series of paintings based on the dust jackets of Penguin books. By appropriating the iconic Penguin logo, he found a way to combine painting with his writer’s love of words. Influenced by pop art his work draws attention to the inherent emotional possibilities of language inside a painting, employing humour and irony.
In his ongoing dust jacket series, he usually works with books as still lives or three-dimensional objects, each with their own unknown but personal histories. They may not have been read. They may have been gifted, sold, cherished, re-found or even rebound. The painting style hints at the dog-eared and scuffed covers of the classics themselves and he uses his own titles to further enrich these histories.
Drawing on his own extensive archive of social science and psychology books, a more recent series of paintings including Immediate Relief…Coming Soon (2017), make formal references to the covers of self-help manuals from the 1960s and 1970s. Characterised by their bold and colourful abstract covers, these books embrace the potential for ‘fixing’ disorders. Their distinct, colourful geometric cover designs were not only aligned to contemporary abstract painting, but also provide a foil to the darker aspects of social neurosis that the texts are seeking to address.
Miller has had solo exhibitions at York Art Gallery in 2020 and in Segovia and Gateshead. He has also featured in the ‘Summer Exhibition’ at the Royal Academy of Arts, (2005, 2006, 2007), at Somerset House and at the Institute of Contemporary Arts.
Buy his artwork at mainstream galleries here.
for sale at ArtTalk Gallery
PLEASE READ OUR TERMS AND CONDITIONS BEFORE BUYING WITH US
© All limited edition prints shown on this website are strictly the copyright of the artist and are protected by intellectual property laws around the world. All rights are reserved. Any use or downloading of the images on this website is strictly prohibited.
About us | Privacy policy | Terms and conditions | Delivery